Book Info
Wuther
by VJ Chambers
Publication Date: July 2013
his new adult retelling of Wuthering Heights is intended for mature readers due to explicit sexual content and coarse language.
Instead of storms tearing through Yorkshire moors, the sounds of '90s grunge rock whisper through backwoods American cornfields...
And give new life to the Bronte characters you love to hate.
A gypsy orphan, Heath Galloway adores Cathy Earnshaw, his childhood sweetheart. He would do anything to protect her from her drunken, abusive father--even push the man down a flight of stairs to stop him hitting her.
But with her father dead, Cathy's older brother Matt runs the Earnshaw farm and both of their lives. And Matt despises Heath. Forced to drop out of school and work the fields, Heath is separated from Cathy and the two begin to drift apart.
When Cathy meets the rich, blond, and suave Eli Linton, she finds herself torn between Eli's charm and Heath's brute potency.
Fiercely proud and stubborn, Heath doesn't take well to being brushed aside. He'll get what he wants, or he'll get revenge. No matter how long it takes.
Guest Post
Unrepentant Bad Boys
In typical the typical romance
novel trope, the arc for the bad boy hero is archetypal. Like Enkidu in Gilgamesh, he goes from uncivilized
brute to acceptable mate through the course of falling in love with the
heroine. The heroine’s love tames the bad boy, makes him palatable. Now that he
is in love, he will swear off all of his bad habits, commit to the heroine, be
faithful to her for the rest of his days, and they will live happily ever
after.
I like this trope.
Who wouldn’t? It’s the ultimate
female fantasy, that love can solve all problems and can soften the harshest of
men. And I don’t think there’s a thing wrong with indulging it from time to
time. (Okay, or in a novel a day, every day, for months on end.)
But I have to admit that I’ve
always found something delicious about the idea of a boy you just couldn’t
change.
Sure, maybe he fell in love, and
sure maybe he was devoted to the heroine. But maybe he was still a bad boy,
deep down. Maybe he was untamable. Maybe he was a little bit frightening, but
maybe that fear was also tinged with excitement and passion.
It’s not a trope that’s seen
nearly as often in stories. I think it’s an acquired taste. Something that not
everyone likes. But I do. Oh, boy, do I ever.
The first place I ever ran into
it (and probably the best executed place) was in Emily Bronte’s Wuthering Heights. It was the messiest
little story I’d ever read. Cathy Earnshaw was arrogant and shallow. Heathcliff
was uneducated and forceful. But it was also the most powerful love I ever
encountered in fiction. Heathcliff wasn’t tamed. He didn’t turn into the kind
of man who doted over his newborn babies and stayed home to help with the
chores. He was a force of nature, a wild, passionate storm, ready to rip up
everything in his path. But one thing was steady for him. One. Thing.
Cathy.
He didn’t have any problem
hurting other people—physically, emotionally, financially. Not as long as it
got him closer to having her.
I’m not going to lie. Heathcliff
unsettled me quite a bit. That kind of bad boy unsettles me. But then… I like
to play a little fast and loose with my fiction. I like to take risks. I like
to be in the path of the storm.
Unrepentant Bad Boys (html for
blog posts)
In typical the typical romance
novel trope, the arc for the bad boy hero is archetypal. Like Enkidu in <em>Gilgamesh</em>, he goes
from uncivilized brute to acceptable mate through the course of falling in love
with the heroine. The heroine’s love tames the bad boy, makes him palatable.
Now that he is in love, he will swear off all of his bad habits, commit to the
heroine, be faithful to her for the rest of his days, and they will live
happily ever after.
I like this trope.
Who wouldn’t? It’s the ultimate
female fantasy, that love can solve all problems and can soften the harshest of
men. And I don’t think there’s a thing wrong with indulging it from time to
time. (Okay, or in a novel a day, every day, for months on end.)
But I have to admit that I’ve
always found something delicious about the idea of a boy you just couldn’t
change.
Sure, maybe he fell in love, and
sure maybe he was devoted to the heroine. But maybe he was still a bad boy,
deep down. Maybe he was untamable. Maybe he was a little bit frightening, but
maybe that fear was also tinged with excitement and passion.
It’s not a trope that’s seen
nearly as often in stories. I think it’s an acquired taste. Something that not
everyone likes. But I do. Oh, boy, do I ever.
The first place I ever ran into
it (and probably the best executed place) was in Emily Bronte’s <em>Wuthering Heights</em>.
It was the messiest little story I’d ever read. Cathy Earnshaw was arrogant and
shallow. Heathcliff was uneducated and forceful. But it was also the most
powerful love I ever encountered in fiction. Heathcliff wasn’t tamed. He didn’t
turn into the kind of man who doted over his newborn babies and stayed home to
help with the chores. He was a force of nature, a wild, passionate storm, ready
to rip up everything in his path. But one thing was steady for him. One. Thing.
Cathy.
He didn’t have any problem
hurting other people—physically, emotionally, financially. Not as long as it
got him closer to having her.
I’m not going to lie. Heathcliff
unsettled me quite a bit. That kind of bad boy unsettles me. But then… I like
to play a little fast and loose with my fiction. I like to take risks. I like
to be in the path of the storm.
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